Thursday, March 19, 2015

Make the Bread, Buy the Butter

Book: Make the Bread, Buy the Butter
Author:Jennifer Reese
Edition:Hardback
Read:March 23, 2015
285 pages
Rated: 3 1/2  out of 5

Synopsis:
Reese tries to form a somewhat objective opinion on the question of make or buy. It is just not a matter of being frugal, but there is cost, healthiness, time and taste to factor in. This book was written after she found herself out of work. A matter of curiosity drove her to consider, when do you make something and when to buy it. Over all, she considers store bought, mass-produced food to be less tasty than home cooked-of course, that may be just that she can cook.

Thoughts:
What is her criteria? Does she stick with it? One factor she says is time. Another is taste. She really deals on the nutritional or additives which goes into store bought products.

She seems to be one of those folks who has not come across a cookbook which she does not like. But on her blog, she does says that occasionally she needs to winnow out her collection for those not used.

A thought as I was reading about her tries at having chicken, ducks, goats and I am assuming other animals, would I want to be her neighbor. She lives in a sub-urban neighborhood, so I am assuming she does not have acres of land to keep these animals on. But since some of the chickens were attacked by raccoons, I assume, she is also close to non-urban territory.


Obviously, a question is which recipes do I want to try?
  • Peanut butter
  • Bagels
  • Bread 
  • Nutella
  • Hash Browns
  • Maple nut scones
  • Barbecue spaghetti
  • Flourless chocolate cake-Turned out pretty good, but would have been better if I had taken it out a few minutes earlier.
  • Cheese its
  • Isabel's Chocolate Chip Cookie
  • Chocolate sauce


Evaluation:
When I started reading this book, I was thinking, will this be just a recipe book? Or is this something more? I am also reading another book which I am only skimming, sort of like this book. But the difference? This book is interesting, it is fun. She writes personally and with humor. But I will say that after awhile, it got a bit repetitious. But what cookbook doesn't? After all, there is just so many ways to crack an egg.

Reese has over 120 recipes for some of the basic hints of American life. Things like bread, peanut butter, cup cakes and pie. You can see what food I like! Almost all of the recipes has a handy summary of:
  • Make it or buy it:
  • Hassle:
  • Cost comparison:
Each chapter is divided up like a cookbook into the type of food. Are the recipes any good? At our book group, several people made a recipe or two and all thought they were good enough to eat. I am not sure that any of them were to die for but I suspect that is not Reese's objective. It is more to provide good alternatives in a practical way to ready-made food.

Also, there are cute stories to start each chapter, as well as background, such as what is kosher salt, or how to's, like how to choose nuts. Hint: the one in chapter 2 about eggs and chicken is worth the price of the book.

How do you evaluate what is essentially a cookbook? Probably by making something. But the slaw is not the only thing Reese slings, words and stories are part of the fun of the book. The bottom line, if you are looking for a serious recipe book, look for a book by Child's or Pepin. But Reese's book will provide  some good advice for the rest of us.
 



New Words:
  • Desiccated (4): remove the moisture from (something, especially food), typically in order to preserve it.
Book References:
  • Laurel's Kitchen
  • Artisan Baking Across America by Maggie Glezer
  • The New Complete Book of Breads by Bernard Clayton
  • The Bread Baker's Apprentice by Peter Reinhart
  • The Essentials of Cooking by James Peterson
  • The King Arthur Flour Baker's Companion
  • Good to the Grain by Kim Boyce
  • Artichoke to Za'atar by Greg and Lucy Malouf
  •  The Breakfast Book by Marion Cunningham
  • Kitchen Confidential by Anthony Bourdain
  • The Art of Cookery Made Plain and Easy by Hannah Glasse
  • Family of Man by Edward Steichen
  • The Cooking of Scaninavia
  • The One-Block Feast by Margo True
  • The Modern Art of Chinese cooking by Barbara Tropp
  • Mrs Chiang's Szechwan Cookbook
  • Japanese Cooking: A Simple Art by Shizuo Tsuijo
  • Animal, Vegetable, Miracle by Barbara Kingsolver
  • The Omnivore's Dilemma by Micheal Pollan
  • Farm City by Novella Carpenter
  • The Encyclopedia of Country Living by Carla Emery
  • Food Rules by Michael Polan
  • Top Secret Recipes by Todd Wilbur - a look behind the scenes for the recipes of fast foods
  • Little House on the Prairie by Laura Ingels Wilder
  • Indian Cookery by E. P. Veersawmy
  • Fast Food Nation
  •  Wild Fermentation by Sandor Ellix Katz
  • The Serial by Cyra McFadden
  • Honey Handbook
  • The Craft of Baking by Karen DeMasco
  • Frugal Housewife
  • Charcuterie by Michael Ruhlman and Brian Polcyn
  • Ethan Stowell's New Italian Kitchen
  • The Oxford Companion to Food
  • The Book of Jewish Food by Claudia Roden
  • Aquavit by Marcus Samuelson
  • Liquers for All Seasons 
  • In the Kitchen with a Good Apetite by Melissa Clark
  • Joy of Jams, Jellies and other Sweet Preserves by Linda Ziedrich
  • The last Crumb Bakery
  • The Blue Ball Book of Preserving
  • More Home cooking by Laurie Colwin
  • The River Cottage Cookbook
  • Mustards Grill Napa Valley by Cindy Pawclyn
  • Fancy Pantry by Helen Witty
  • Cakewalk by Kate Moses
  • Good to the Grain by Kim Boyce
  • Baking by Dorie Greenspan
  • The Perfect Scoop by David Lebovitz
  • The Cake Bible by Rose Levy Beranbaum
  • I Hate to cook Book

Good Quotes:
  • First Line: Until recently, I never considered making my own peanut butter,
  • Last Line: As my mother wrote on each copy of the recipe: Makes 12 large slices, 24 lady slices.
  •  Inferior mass-produced often costs more-and sometimes quite a bit more-than homemade food. (4)
  • It can be healthy, not to mention joyful, to get carried away. (78)
Table of Contents:
  • Introduction
  • Breads and Spreads
  • Eggs
  • Breakfast
  • Vegetables
  • Restaurant Food
  • From Beak to Tail
  • Junk Food and candy
  • Dinner
  • Fruit
  • Honey
  • Cured Meats
  • Duck Eggs
  • Cheese
  • Goats
  • Turkey
  • Thanksgiving
  • Drinks
  • Canning
  • Having People Over
  • Desserts
  • Afterwords
  • Appendix

References:

Tuesday, February 10, 2015

Into Thin Air

Book: Into Thin Air
Author:Jon Krakauer
Edition:eBook, read on OverDrive from the Fresno Public Library
Read: February 10, 2015
474 pages
Rated: 4  out of 5

Synopsis:
In 1996, Krakauer was on assignment for Outside magazine. The assignment: be part of one of the commercial climbing teams going up Everest. Climbing Everest would be exciting no matter the circumstances, in 1996 he got caught up in a deadly competition among climbing companies, novice climbers, and an Everest size storm. 12 people died on the mountain that year. Krakauer turned the magazine article into a book, both to tell the story, to rebut counter stories, to assign measure of blame and to talk through his own guilt.

Thoughts:
... to climb Everest is an intrinsically irrational act. Then why do it? The best answer ever has been, because it is there. Even my backpacking, some people consider irrational. But to me, it is a mostly safe and enjoyable time. It matters on your perspective. I judge the risks there is inherent to be in the outdoors to far surpassed by the gain I get from the beauty, fitness and sense of accomplishment of being there. I suspect those who climb Everest feel somewhat like that. except you also have a sense of competition and the bragging rights to being on top of the world's tallest mountain.

To continue receiving sponsorships from companies, a climber has to keep upping the ante. The next climb has to be harder and more spectacular than the last. It becomes an ever-tightening spiral; eventually you're not up to the challenge anymore. (72) Krakauer quoting Bill Atkinson. Krakauer identifies the problem with economics and capitalism. You always have to achieve more. Eventually you fail. The question is how do you get off of this  conveyer belt? If the conveyer belt is Everest, which is inherently dangerous, you now get into an unstable situation where the risks go up and statistically you will have disaster happening.

One of the problems of bringing so many Westerners into Nepal is that Nepal and its people are changing because of this exposure. Forests are being cut down to house the climbers. The quaint  Sherpa people, the backbone of expeditions are being Westernized. Video games, T-shirts, ... Krakauer notes that the people are not complaining as their level of living is rising. When a porter can earn 10 times his normal annual earnings in two months of work, it is hard to argue this change is terribly bad. Is there a case where what brings success to Nepalese will destroy them?

Did Krakauer wear on Everest the katas which the Sherpa lama blessed to keep him from harm? (91) I do not recall him saying anything about while climbing Everest. But in the beginning of the book, this is one of the stories, spends a couple of pages on it. Did it work to protect Krakauer? Or did it not work because he did not have it on and deaths resulted?

Who should be allowed to attempt to climb Everest? That is the question which Krakauer starts with. Before 1996, there were deaths, just not that many at once. Is climbing just for the elite of climbing or for anyone? Is it just for those who can pay and are in good physical condition?  Who makes the determination about who can climb? In some ways, the country of Nepal has made that determination: it is those who can pay for the permit. But that does not really answer the question of who can or maybe who is it reasonable to climb the mountain? I think there is also a bit of how are they going up that mountain? Guided by experienced mountaineers? Going with a group pretty much just providing the equipment? Self provided? Krakauer tells of a man who bicycled from Sweden to make the attempt. I believe he made it. Without a bit of skill, you will not make it past the base of Everest. Still, in my backpacking I am not sure I want someone to tell me it is OK to go somewhere, besides the need for permitting to restrict from over-usage. But I am the one who determines if I have the skill and strength to do the trip.

Also, the question of who should climb Everest comes up? In my mind the larger question can be what should any of us be allowed to do? If we are restricted because of the danger, what should be allowed? Crossing the street as a pedestrian is dangerous. Judging by the daily carnage on the road, driving should be more restricted. So what is the criteria? Who sets this criteria?

A couple of years ago at our local REI store, Ian Woodall, somewhat from South Africa, spoke about his time on Everest and recovering bodies of those who died. During his talk, he seemed quite defensive about the book-since I had not read the book yet, I was wondering why. Then I read the book Krakauer portrays him as pompous, cantankerous and a downright fraud. Why? According to Krakauer, Woodall put together an all South African climbing team which was to represent the black-white reconciliation effort. Through his leadership, the team fell apart. The journalists he recruited was kicked off the team, which lead to the newspaper dropping their sponsorship. During the time when people where dying on Everest, he refused to allow the use of his radio to connect to base camp. The irony to the all South African team was that Woodall was British, not African. I suspect the Woodall is a mixture of being a persuasive speaker with imperfect abilities as an organizer and lax morals. And, according to Wikipedia, Woodall, and his girl friend, did go back to Everest and dispose of at least one body of a friend

Are climbers daredevils? (216) That is a question Krakauer raises. Somewhat yes is the answer. But there difference is that they also have the skill and temperament to back their desires.  I have a Annie Dillard quote running through the back of my mind:
Several years ago,  I admired his [David Rahm, stunt flyer, geology professor] flying. I had thought that danger was the safest thing in the world, if you went about it right.  
Annie Dillard, The Writing Life, pg 107

What is a Calvinistic undertaking? (216) or seeking a state of grace? (217) What is this Calvinistic undertaking mean? About the only thing I can hang onto is a few sentences later, Krakauer says that climbing Everest was primarily about enduring pain. If that is what Krakauer is equating to Calvinism, then I wonder about the rest of his word usage. Does he play that lose elsewhere. Then he talks about this state of grace. Here I think he is closer to the traditional thinking that grace provides a place of rest from the sufferings being experienced. But I do not think he has in mind a Christian sense of grace which allows you to be in communion with God and his creation. Rather Krakauer is more looking for a Nirvana where all is dead to them, sufferings is no more, or at least suspended.

Krakauer blames a guide from another expedition for a good portion of the Everest disaster of 1996. There is the question of was Antoli Bourkeev a hero or villain? Krakauer says villain. I am not sure it is clean. Yes he climbed Everest without oxygen and was not able to help up on top. But he was there to rescue two others. My question is if he had been doing the role of a traditional Western guide, would he have been another causality on top? Would he have tried to convince his boss to honor the hard turn around time he had established? If he was a more traditional guide would the leader of Mountain Madness been stronger and more alert, allowing him to make better decisions? All unknowns.

But that does lead to the question, what should the relation of an Everest guide be to the clients? Bourkeev thoughts were that a guide would allow a client to make it with his own abilities and where withal. But is that what the client paid for? Did they expect more for their $65,000? Such as at least a person willing to help them over rough spots?

Solitude is a rare commodity on Everest. (251) Why go if you cannot enjoy that peace of mind from being away from 99.99999% of the world's population? At least backpacking there is many times when I can withdrawal and enjoy the world around me. Of course, I am only gasping at oxygen at 10,000', not dependent on oxygen canisters to let me live.

One of the climbing teams which come up shortly afterwards found some of the climbers still alive, but did not stop. One of the Japanese climbers explained, Above 8,000 meters is not a place where people can afford morality. Do I really want to go to a place where you cannot be basically human? Why would I want to go there? What would be the overwhelming reason? I would like to think that even if I did spend $65,000 to climb Everest, that I would try to stop and see if I could do something for a person who is dying, or even try to save them. But would I? I can understand not retrieving bodies, since that is an almost impossible task. But not to help someone and just continue on, that smacks of what Jesus talks about with the Good Samaritan.

Four of my teammates died not so much because Rob Hall’s systems were faulty—indeed, nobody’s were better—but because on Everest it is the nature of systems to break down with a vengeance. (405) While this is an interesting conclusion, I am not sure how true. Would Hall and Hansen have died if Hall had followed his own system of having a hard turn around time? I think that this points more to that all systems will fail when humans are introduced. We all have our own desires, wants and dreams. These interfere with the systems we construct.

Coldness of competence - a phrase from David Roberts book, Moments of Doubt pg 189. So many ways to take this phrase. To be competent in a profession, you need to be able to follow the dictates of it, without feeling. But why even live if we cannot have feelings?


Evaluation:
Krackauer has an ability to transcend experience across the page to the reader, allowing the reader to place themselves on Everest, albeit with a bit more atmosphere and more warmth.  

There are two stories here. The first is the actual story of the doing the Everest climb in 1996, including the cold hell of friends and guides dying on its slopes. The second story is why did death happen on its slopes.

The first, Krakauer excels. He is assigned by Outside magazine the task to write on the commercialization of climbing Everest. As part of the assignment, he is a client on one of the companies doing the climb. He goes through the entire climb, going to base camp, being acclimatized, and then the big day of the climb. All of this he tells with a flare of an experienced writer and the understanding of someone used to the outdoors.

He also talks about the conditions and the people involved with the climb, You have an understanding of their personalities and why they wanted to either do this climb or why they were guiding the clients up. You recognized the guides were top notch people who were able to take take of themselves and others. You understood that the mountain also had ways of killing climbers, even the best. So it is no surprise when death happens.

The second is where Krakauer's book can be questioned-does he properly assess where fault may lie on the many deaths which occurred while he was on the mountain. I think he was too close to properly make this assessment. He was too close to the situation and too close to some of the people involved. This skews his assessment. He blames one particular guide. While I think this guide did not show good judgement, the leaders of two of the companies, two of the people who died, showed a lack of backbone in their leadership. While not glossing over their lack of good judgement, Karkauer lays principle blame elsewhere.

Should you read this book? Yes if for no other reason to help with understanding that death in the outdoors comes in many ways and can be from small decisions, gone bad.

Book Group:
  1. Why did you want to read this book?
  2. Is this the first Krakauer book you have read? Into the Wild, Under the Banner of Heaven, Three Cups of Deceit.
  3. What attracted you about the book? What gripes did you have? Mine was the phrase Calvinistic undertaking. What does that mean?
  4. Krakauer notes that to climb Everest is an intrinsically irrational act. How do we measure acts of irrationallity, particularly when the act is outside of our knowledge level?
  5. One of the points of Krakauer's book is that many of the climbers were inexperienced. How should the climbers be chosen, weeded out? Amount of money they bring? Climbing ability? …
  6. The big controversy in this book is first, Is there some one who is culpable for the deaths on the mountain? If so, who and why? Krakauer assigns the blame to the Russian, Bourkeev. Why does Krakauser paint him as the person who did wrong? Is Krakauer right? What part does the heads of the mountaineering outfits have in not turning back?
    1. See the Osher question on Discuss Rob Hall's decision not to turn around by 2:00...
  7. One of the Japanese climbers explained, Above 8,000 meters is not a place where people can afford morality. Is there anyplace where you cannot afford morality? How do you triage a situation like this? When you have paid $65,000 does that give you the right to pursue your goals and not save someone else Could these people have been saved?
    1. See the Osher question on Talk about the decision to leave Beck Weathers and Yasuko Namba to die,
  8. Like much of sports as well as business, there is push to continue to do more. to continue receiving sponsorships from companies, a climber has to keep upping the ante. Was this a correct analysis? Is this kind of model sustainable?
  9. As foreigners entered Tibet, the people changed. Video games were being played, people on phones, … It seemed like what made the country interesting is being changed. Have you ever gone to a place and then revisited it to find what you liked about the place has changed? Tell us about it.In what ways was the change for the better? Worse? Should these places change? Should our lives be changed?
We had a brief discussion on rescues and the costs.  Costs to both government and the victim is dependent on the location. Generally if it is the National Park Service, reimbursement is not sought. The Coast Guard gets the most action each year. The military, if called, uses it as a training exercise. My brother, who does SAR as a sideline, noted that in Colorado if the local SAR is called out, there is no charge, but if the fire department is called, there is a charge. So you get the idea. In a 2009 article after the Mount Hood disaster, a journalist noted that NPS would not be charging. How much does SAR cost the Park Service? About 1.9 cents a visitor. A podcast, probably around 2010, called How Stuff Works has an overview. One of my all time favor sites is the Friends of Yosemite SAR. Take a look at the pictures, then stories. Also, Yosemite NP also has a SAR site which is worth reading, but not before bedtime. 


New Words:
  • Hypoxically (39): a condition in which the body or a region of the body is deprived of an adequate supply of oxygen supply.
  • Theodolite (43): a precision instrument for measuring angles in the horizontal and vertical planes. Theodolites are used mainly for surveying applications, and have been adapted for specialized purposes in fields like meteorology and rocket launch technology.
  • Raconteur (69): a person who tells anecdotes in a skillful and amusing way
  • Crepuscular (82): of, relating to, or resembling twilight :
  • indolent (89): wanting to avoid activity or exertion; lazy; (of a disease condition) causing little or no pain
  • rimpoche (91): Tibetan Buddhist lama who was born in Lhasa, Tibet in 1939. His personal name is Gelek; kyabje and rimpoche are titles meaning "teacher" and "precious," respectively
  • katas (91):
  • ambrosial (92): very pleasing to the sense of taste or smell
  • suppurating (115): undergo the formation of pus; fester
  •  peripatetic (118): traveling from place to place, especially working or based in various places for relatively short periods
  • serac (132): A serac (originally from Swiss French sérac) is a block or column of glacial ice, often formed by intersecting crevasses on a glacier. Commonly house-sized or larger, they are dangerous to mountaineers since they may topple with little warning.
  • histrionic (135): overly theatrical or melodramatic in character or style
  • analgesic (142):  drugs used to relieve pain
  • Chorten (209): built in 1974 to honour the 3rd King of Bhutan, Jigme Dorji Wangchuck (1928–1972), is a prominent landmark in the city with its golden spires and bells. In 2008, it underwent extensive renovation. It is popularly known as "the most visible religious landmark in Bhutan".
  • Avuncular (209): of or relating to the relationship between men and their siblings' children
  • mirabile visu (256): latin-wonderful to see
  • obdurate (277): stubbornly refusing to change one's opinion or course of action
  • hypoxic (281): a condition in which the body or a region of the body is deprived of adequate oxygen supply
  • Compos mentis (411): having full control of one's mind; sane

Book References:
  • The Climb by Anatoli Bourkeev and G. Weston Dewalt
  • Sheer Will by Micheal Groom
  • Everest : Mountain Without Mercy by Broughton Coburn, Tim Cahill (Introduction), David Breashears.  National Geographic Society, 1997. 
    Brashears, David, John Mallory, and Audrey Salkeld.
  •  Brashears, David, John Mallory, and Audrey Salkeld. Last Climb : The Legendary Everest Expeditions of George Mallory. National Geographic Society, 1999.
  • Weathers, Beck. Left for Dead: My Journey Home from Everest New York: Villard Books, 2000.
  • High Exposure: An Enduring Passion for Everest and Unforgiving Places by Jon Krakauer and David Breashears
  • Krakauer cites 16 books in a selected bibliography
  •  Upon That Mountain by Eric Shipton
  • Everest: The West Ridge By Thomas F. Hornbein
  • Letter from a Man by John Menlove Edwards
  • The Savage God: A Study of Suicide by A Alvarez
  • Everest by Walt Unsworth
  • Alone to Everest by Earl Denman
  • The White Album by Joan Didion
  • Moments of Doubt by David Roberts
  • The Crystal Horizon by Reinhold Messner
  • Lord Jim by Joesph Conrad
  • "Manipulations" by Harold Brodkey
  • Scott's Last Expedition by Robert Falcon Scott
  • The Epic of Mount Everest by Sir Francis Younghusband
  • "The Second Coming" by William Butler Yeats
  • The Worst Journey in the World by Apsley Cherry-Garrad
  • Blood Orchid by Charles Bowden

Good Quotes:
  • First Line:In March 1996, Outside magazine sent me to Nepal to participate in, and write about, a guided ascent of Mount Everest.
  • Last Line: Seven weeks later, however, Anatoli was killed on Annapurna, and I realized that I'd begun conciliatory efforts much too late.
  •  With enough determination, any bloody idiot can get up this hill. The trick is to get back down alive. 233, quote from Rob Hall
  • in order to succeed you must be exceedingly driven, but if you’re too driven you’re likely to die. 277
  • ...lucid thought is all but impossible at 29,000'. 402
  • Men play at tragedy because they do not believe in the reality of the tragedy which is actually being staged in the civilised world. quoted from Jose Oretga y Gasset on pg 18
  • But there are men for whom the unattainable has a special attraction. Usually they are not experts: their ambitions and fantasies are strong enough to brush aside the doubts which more cautious men might have. Determination and faith are their strongest weapons. At best such men are regarded as eccentric; at worst, mad... by Walt Unsworth, Everest
  • We tell ourselves stories in order to live... by Joan Didion, The White Album
  •  How much of the appeal of mountaineering lies in its simplification of interpersonal relationships, its reduction of friendship to smooth interaction (like war), its substitution of an Other (the mountain, the challenge) for the relationship itself? by  David Roberts in  Moments of Doubt, pg 189
  •  It is so pleasant to sit doing nothing - and therefore so dangerous. Death through exhaustion is like death through freezing - a pleasant one. by Reinhold Messner in  The Crystal Horizon, pg 248
  •  I distrust summaries, any kind of gliding through time, any too great a claim that one is in control of what one recounts; I think someone who claims to understand but is obviously calm, someone who claims to write with emotion recollected in tranquillity, is a fool and a liar. To understand is to tremble. To recollect is to re-enter and be riven....I admire the authority of being on one's knees in front of the event. by Harold Brodkey in "Manipulations"


References:
  • Author's Facebook site
  • Wikipedia-Book
  • Wikipedia-Author
  • Amazon-Book
  • Amazon-Author
  • Barnes and Noble
  • GoodReads-Book
  • GoodReads-Author
  • New York Times Books review
  • Random House interview with Jon Krakauer
  •  Quizlet Into Thin Air vocabulary
  • Dramatization of IntoThin Air called Death on Everest


    Notes from the CSU, Fresno Osher Book Club (with thanks to Kay Davies):
    This updated trade paperback edition of Into Thin Air includes an extensive new postscript that sheds fascinating light on the acrimonious debate that flared between Krakauer and Everest guide Anatoli Boukreev in the wake of the tragedy. "I have no doubt that Boukreev's intentions were good on summit day," writes Krakauer in the postscript, dated August 1999. "What disturbs me, though, was Boukreev's refusal to acknowledge the possibility that he made even a single poor decision. Never did he indicate that perhaps it wasn't the best choice to climb without gas or go down ahead of his clients." As usual, Krakauer supports his points with dogged research and a good dose of humility. But rather than continue the heated discourse that has raged since Into Thin Air's denouncement of guide Boukreev, Krakauer's tone is conciliatory; he points most of his criticism at G. Weston De Walt, who co-authored The Climb, Boukreev's version of events. And in a touching conclusion, Krakauer recounts his last conversation with the late Boukreev, in which the two weathered climbers agreed to disagree about certain points. Krakauer had great hopes to patch things up with Boukreev, but the Russian later died in an avalanche on another Himalayan peak, Annapurna I.
    In 1999, Krakauer received an Academy Award in Literature from the American Academy of Arts and Letters—a prestigious prize intended "to honor writers of exceptional accomplishment." According to the Academy's citation, "Krakauer combines the tenacity and courage of the finest tradition of investigative journalism with the stylish subtlety and profound insight of the born writer. His account of an ascent of Mount Everest has led to a general re-evaluation of climbing and of the commercialization of what was once a romantic, solitary sport; while his account of the life and death of Christopher McCandless, who died of starvation after challenging the Alaskan wilderness, delves even more deeply and disturbingly into the fascination of nature and the devastating effects of its lure on a young and curious mind."
    Discussion Questions
    1. Much like Krakauer's other book, Into the Wild, many readers lacked sympathy for the climbers and were angered by their lack of skill and the carelessness of the guides who attempted to get them to the top, letting a hefty fee get in the way of sound judgment. What is your opinion?
    2. Discuss Rob Hall's decision not to turn around by 2:00 as he had stipulated but to help Doug Hansen reach the summit. It was a difficult decision because it was Hansen's second attempt, and the men had both an emotional and a monetary stake in Doug's success. If you were in that situation (yeah, right...), would you have been tempted to push to the top, to reach a goal that you'd trained for and wished for...and paid for?
    3. Talk about the decision to leave Beck Weathers and Yasuko Namba to die, knowing both were still alive. There was only one choice, however difficult: let nature take its inevitable course..., and save the group's resources for those who could actually be helped. It was a classic act of triage.
    4. Which individual did you find yourself most symphathizing with ... which did you most admire ... which least admire?

    5. Who pays for the expensive search and rescue efforts? Is it right to endanger other lives (helicopter pilots) to transport injured climbers down to hospitals?
    6. What did you make of the survivors' attitudes, especially Beck Weather's, when Krakauer later contacted them?
    7. How would you feel about a loved one who was passionate about climbing, who felt the pull toward Everest or K2? Would you encourage him/her to pursue the dream...or be more mindful of leaving behind families should something happen?


Saturday, January 31, 2015

F.64

Book:  Group f.64
Author: Mary Street Alinder
Edition: eBook on Overdrive from the Fresno County Public Library
Read: January 31, 2015
745 pages
Rated: 2  out of 5

Synopsis:
In 17 chapters, Alinder looks at the lives of the Group f.64. She lays out facts, with some lengthy quotes from some of the principals of the group.


Evaluation:
I was disappointed in this book, on several levels. Alinder was an assistant to Ansel Adams so she had access to many of the Group f.64 people. This part shows through. She was able to talk with many of the main people and able to look through their papers and bodies of work. This part shows through well. There is an amazing amount of detail.




But I think that may have been one of the problems. She was too close to the group with too many details. Instead of a book which allows me to understand these outstanding photographers and see the hardships they needed to go through to get recognition for their work, I felt like there was a mass of information, loosely collected around each of the principals of the group. 


Between using first names all the way through, even when there was duplicates, it become hard to understand who she was talking about. Which Edward is this? Weston? Maybe somebody else. Another this is her organization. Most of the chapters are organized around a principal of the f.64 group. This was an OK arrangement. But the problem with it is that a lot of the stories are overlapping, so you are left with trying to figure out, didn't I read this someplace else?  Lastly, as a means of documenting the facts of these lives, she did a wonderful job. But much of what she did could have been reduced to a series of timelines. 


I wish that Alinder would have gone more into who these people were, why and how did they photograph the way they did. I also would have been a lot more interested in her talking about Ansel Adam's love of the Sierra's than what she did-but she probably did in her Adams biography. After reading this book, I am no more inspired to be do good photography than I was before.
 



New Words:

  • Cognoscenti (128): people who are considered to be especially well informed about a particular subject.
  • Sycophant (263): a person who acts obsequiously toward someone important in order to gain advantage.
  • Fecund (264): producing or capable of producing an abundance of offspring or new growth; fertile.
  • daguerreotype (467):i ntroduced in the early 1840s as the first publicly available and commercially successful photographic process to gain widespread use.



Good Quotes:

  • First Line: In 1932 an energetic alliance of dedicated San Francisco Bay Area photographers burst upon the art world, demanding local attention and looking beyond to the East Coast.
  • Last Line: Christi Yates provided Beaumont with caring companionship until his death from a stroke on February 26, 1993.
  •  Keep all things simple as possible so as not to divert the mind from what is truly important-creative work.(83)

Table of Contents:

Prologue, ix,
1. October 1932, 1,
I. Edward Weston, 1,
II. Sonya Noskowiak, 26,
III. Willard Van Dyke, 30,
IV. Imogen Cunningham, 39,
V. Ansel Adams, 51,
2. The Party, 68,
3. Group f.64, 82,
4. The Exhibition, 92,
5. Unsung Heroes, 111,
6. A Major Loss, 126,
7. The Way of Stieglitz, 135,
8. A Tale of Two Galleries, 145,
9. The Enemy Mortensen, 156,
10. Expansion, 169,
11. Divergence, 181,
12. Reaching Out, 193,
13. Relevance, 200,
14. Moving On, 214,
15. A Time to Soar, 226,
16. We Are Not Alone, 240,
17. Seeing Straight, 257,
Epilogue: After 1940, 273,
Acknowledgments, 294,
Appendix 1. Group f.64 and Closely Related Exhibitions, 1932-1940, 297,
Appendix 2. M. H. de Young Memorial Museum, San Francisco, Photography Exhibitions, 1930-1940, 308,
Appendix 3. 683 Brockhurst, Oakland, California, Exhibitions, 1933-1935, 312,
Appendix 4. Ansel Adams Gallery, 166 Geary Street, San Francisco, Exhibitions and Events, 1933-1934, 314,
Notes, 316,
Photograph credits, 377,
Index, 379,

References:

      Friday, January 23, 2015

      The Distant Land of My Father

      Book: The Distant Land of My Father
      Author:Bo Caldwell
      Edition: 2001 Hardback from Fresno County Public Library
      Read: January 23, 2015
      373 pages
      Rated: 4 out of 5

      Synopsis:
      Anna is born in China, probably Shanghai and lives her first several years there. Her father is in love with the city and exposes her to the wonders of it. As World War II approaches, her mother takes her away, back to Pasadena and her family. Anna's father finds excuses to stay and is captured by the Japanese and held through internment. When he is repatriated, he finds a way to go back. After the war, he stays. Anna and her mother come back, but find out about her father's infidelities. They return and Anna is estranged from her father. The communists take over China and the father is held again as a prisoner. Several years later he is released and lives in Southern California, apart from his wife and daughter. After Anna's mother dies, he becomes part of her life again until he dies. At this point Anna realizes how what her father is like. There is at the end, a reconciliation of sorts.

      But the real story is Anna's emotions as she goes through all of this. Her love for her father. The hurt she feels from his infidelity. The a-loneness she feels by not having him around. The melancholy once he is gone.

      Thoughts:
      Landmarks. (8) In the story, this is the contrast between parents. The father knows the city; the mother uses a set of familiar places to get her bearings. This is sort of symbolic of their relationship withe city. Joesph isn't in love with it, the mother tolerates it and is glad to leave. How do you find the things in your life? Also the grandmother tells her to look for the Tarzan Tree-an oak growing on a corner. That way Anna will know her Grandmother is close.

      Father is a fix it man. (8)

      Where did Joseph get his easy charm? From living in China? From his Nazarenne missionary parents? Just a natural characteristic of him?

      Caldwell gives a few subtle, hints to the reader about Joseph's infidelity. At the beginning of the story, he is asked what keeps him in Shanghai. He turns red, but replies business. The turning red says there is something more than just business. Our guilt will find us out. But there was also the caring for his family. While being interned in a Japanese camp, it was a picture of his wife and Anna is what he would turn to.

      Caldwell also talks about the blindness which greed will cause. When foreigners were vacating Shanghai, Joseph Schoene could see nothing but the money he was making. He would rather make his money than return to the States to be with his wife and child.  The same can be said about comfort. When we are comfortable, we become like an ostrich and stick our heads in the sand. He realizes this once the Japanese bomb Pearl Harbor. But makes the same mistake after the war.

      During World War II, Allied citizens were repatriated. in the story, the first wave were embassy personnel and essentials. But then two years later other Allied citizens were done. About the same time which I was reading this book, NPR had a story on repatriation. It basically said that not all of the Japanese who were swapped wanted to go back to Japan. Not only did they not want to go back, but some had never been to Japan and were American born.

      There is some items Caldwell seems to fixate on, such as teak wood and Morris chairs.

      When you read about the punishments which Caldwell describes the Japanese used on Joseph, you realize they are not too different than what Americans used on the Taliban and Iraqs. Water torture, beatings, sleep deprivation. Did we use any of these on either Japanese prisoners or internees?

      I like the description of Eve and Joseph's reading habits. Eve is to read immediately and then get rid of the magazine. Keep the house from being cluttered. But Joseph is described as a reader, but it was never just one book. (187) He leaves books around wherever he is. The sad thing is tht because of his internment, he cannot concentrate and may not finish or remember a book.

      What makes us content? Anna describes it as not just happy, but something deeper, quieter, as though the three of us had finally landed. (200) This is in  a section where she and her father is working on the backyard. she hears the clinking of ice in a glass and her mother moving inside. Sounds give us the cues we need to know that all is well. Of course, all of this contentment is broken the next moment when her father announces that he is being sent to China as a liasion between Chinese and American forces.



      Evaluation:
      Some books start with a bang and end in a whimper. This book starts slowly, enough so, I was wondering if it would be worth reading. But I was reading it for my book group, so I preserved and found my reward. So gentle readers, continue on through the first part, it lays the ground work for the story to come. Caldwell has done her research and as such, has laid a foundation for the details of her story. The details is what draws the reader into Anna's world.

      Caldwell talks about a child growing up in China, Shanghai to be more exact. She and her mother left before the World War II invasion by the Japanese. The father stayed to look after business interests and paid the price by being imprisoned. He was not content with staying around Pasadena after the war, so he found a way to become a liaison between the Americans and Chinese forces. Then landing in Shanghai at the end of the war. The daughter found he was not the perfect father as a growing daughter will discover and becomes estranged from him, staying with her mother. When the Communists take over China, the father is captured and imprisoned again for several years. He is expelled from China. But this is not feel good story of Father-daughter-wife reunion, but the story of a long, coming together.

      The real storyline is the story of a daughters love, the hurt of betrayal and the eventual forgiveness and reconciliation. The story is told well, making the reader understand the daughter's hurt and why she cannot forgive, until she see's the father as a broken man, the way her mother saw him.

      There are under-currents in the book as well. Things like the greed of capitalism, the culture of China, and love destroyed. Particularly the background on China is done well. Caldwell has done her research and brings you into the the China of the 1930's, even though at times she gets a bit fixated on things like teak wood and Morris chairs. Still, stick with the book and it will stick with you.

       
      Notes from my book group:

      General notes:
      • Anything which went wrong was “my” fault
      • There was no child playmates
      • Money borrower
      • What is the norm?

      How did you rate the book and why did you give it that rating? What did you find attractive about the story? What did you think was aggravating?
      • Missing Christmas in Los Angeles
      • Best book

      From the start, Anna needs to know her place in both location and in setting-her landmarks. How are these revealed through out the book? Why is this important? What are the advantages and disadvantages of making one person such a landmark in one's life? What burdens might it place upon that other person, and what dangers might it pose for oneself?

      Joseph was known as a fix it man. How did that get him into trouble? How did his abilities blind him?

      Also how did Joseph get his way of the world mentality? Also his suave?

      Describe the Schoene family. Are they a functioning or dysfunctional family? Is there love? Where is there equality? Were Anna's grandparents right about Joseph?

      During the battle of Shanghai, there is a wedding scheduled, which takes place. Joseph insists on going. On the journey, the family witnesses literal blood in the streets. How does this contrast with the wedding? How does the family react? What does this indicate about life in Shanghai?
      • Other people

      The family had two servants. What is the relationship between the family and them? How did the servants feel? Were they listened to?

      Loyalty is one of the themes of the book. Describe some of the loyalties found. How did they resonate with you? How about places where things were done for expediency or for greed? Is there a link between this and his infidelity? What kinds and what degrees of actual and imagined disloyalty, from the political to the personal, occur in the novel? What kinds and what degrees of actual and imagined betrayal? What does the author appear to be saying about disloyalty and betrayal, and about the possibilities of reconciliation and forgiveness?
      • Loyalty is complicated

      When did Joseph's infidelity start? What signs were there? Did Eve accelerate this infidelity by moving out of China? Was Eve's reaction to her suspicions? Did the revealing of the infidelity fit the story?

      Joseph was captured by the Japanese and Chinese and imprisoned. What kinds of punishments were inflicted on him? How did he react to them? Why was he the subject of these punishments? Did they help to get useful information? Are they similar to what the US has used?

      Joseph was repatriated back to the United States. Talk about both times. Why couldn't he stay away from China after getting back the first time? What was exchanged for his freedom? Was this exchange made willingly?

      When Joseph comes to Anna and Eve's house, he seems to be a different man than he was in China. What made him so? Part of this difference is his reading habits vs Eve's. Whose did you find more like yours?

      Why is the garden important to Joseph? How come it was not enough? After coming in from the garden, Anna says she is not just happy, but something deeper, quieter, as though the three of us had finally landed. Why does a garden and work do that to us? What happens after this?

      When Joseph dies, Anna has to sort through his stuff. What was important in his life? How did he show it?


      Reading Group Guide

      1. What kinds and what degrees of actual and imagined disloyalty, from the political to the personal, occur in the novel? What kinds and what degrees of actual and imagined betrayal? What does the author appear to be saying about disloyalty and betrayal, and about the possibilities of reconciliation and forgiveness?

      2. Anna says of her father, "I had a landmark of my own, a place I always started from to get wherever I was going, a reference point for everything I did." (8) What are the advantages and disadvantages of making one person such a landmark in one's life? What burdens might it place upon that other person, and what dangers might it pose for oneself?

      3. After Joseph's kidnapping, Anna's mother tells her, "Your father is somewhat unpredictable. . . . He has strong ideas and people don't always agree with those ideas, and he does what he wants, whether people like it or not. And sometimes it gets him into trouble." (48) What does get Joseph Schoene into trouble, and how? What are the consequences of his doing what he wants? To what extent is he irresponsible in not thinking through the impact of his actions?

      4. In what ways might the contrast between the street scenes during the Battle of Shanghai and the reception at the Cercle Sportif emphasize the perennial differences between the haves and the have-nots of this world? What other manifestations of this theme occur in the novel? What contemporary or historical parallels might there be with the attitude of the European and American businessmen and the wealthy Chinese in 1937 Shanghai?

      5. What notion and what actuality of home are cherished by each of the Schoenes and the other importantcharacters? How might we explain the differences or attitude and perception among them and the consequences of those differences? How would you define home?

      6. Anna says of her father's refusal to leave Shanghai, "There was too much money to be made, too much opportunity, to just walk away." (133) What are the personal, social, political, and moral consequences of basing one's decisions, values, and actions solely on business and money-making opportunities?

      7. "We were both so good at catering to him, at revolving around him," Anna says of her and her mother's relationship to Joseph. (203) What model of family life does Caldwell present? Is it a model with which you are familiar? Is it a model that seems widespread in the United States today?

      8. After Joseph's "breezy" telegram arrives from Shanghai at the end of September 1945, Anna's grandmother tells her: "Your father is a difficult man. I'm sure he has his good side, and I suspect his heart is sometimes in the right place. But his intentions never become actions . . . It's not a question of love. It's a question of who he is, and what he wants." (216) Do these statements and the observations that follow constitute an accurate assessment of Joseph Schoene and his behavior? Is it, with him, never a question of love? To what extent is it true that "he has no vision . . . and always will be an opportunist"? (216)

      9. What specific capabilities make Genevieve "a master of adaptability" and self-transformation (249) How would you describe Joseph Schoene's skills at adapting? What adaptations and self-transformations does each undertake? What incidents show most dramatically or most convincingly the rea circumstances, and consequences-and the limitations-of their adaptive powers? How and why do others undergo transformations? With what results?

      10. "Anything is possible in these times. There is no limit to what is now possible," says the Russian trustee, Nikolai Petrovich, in Ward Road Jail. (280) In addition to his most immediate reference, what are the possible implications of his statement in the world of the jail and the world of the second half of the twentieth century? What personal implications might the statement have for Joseph Schoene? What limits disappear within the time scope of the novel?

      11. What kinds of love occur in The Distant Land of My Father? Between or among whom? From what circumstances do these loves spring, what circumstances nourish some of them, and what circumstances jeopardize or destroy others?

      12. Two of the old Chinese cook Chu Shih's sayings have later resonance in the novel: Hsin chong yu shei, shei chiu p'iaoliang and His hua hua chiehkuo, ai liu liu ch-êngyin. The first-"Whoever is in your heart is beautiful"-is repeated to Anna by her dying mother as the basis for forgiving her father. Joseph quotes the second-"Love and attention make all things grow"-as he works in the South Pasadena garden. How do these two Shanghai adages apply to each main character and the characters' interrelationships? In what ways might they apply to the novel overall? What instances of unusual love, attention, beauty, and growth are there in the novel, and what instances of their opposites?

      13. Anna recalls that, listening to Dr. Pearson's explanation of Joseph's death, "I wanted causes and events, reasons why, a sense of order." (350) To what might these three desires motivate all the characters? The author herself? All of us?

      14. What does Joseph Schoene's final residence, its furnishings and appliances, the books it contains, and its "decorations" reveal about his life and his character?

      Published by Harcourt, Inc.

      New Words:
      • Cheongsam (3): a body-hugging one-piece Chinese dress for women, also known in Mandarin Chinese as qipao
      • Chignon (9):  a popular type of hairstyle. The word “chignon” comes from the French phrase “chignon du cou,” which means nape of the neck.
      • Extraterritoriality (12): the state of being exempted from the jurisdiction of local law, usually as the result of diplomatic negotiations
      • charnel (73): associated with death
      • chilblains (159):  a medical condition that occurs when a predisposed individual is exposed to cold and humidity, causing tissue damage. It is often confused with frostbite and trench foot. The cold exposure damages capillary beds in the skin, which in turn causes redness, itching, blisters, and inflammation.
      Book References:
      • Revelation of Love by Julian of Norwich
      • Introduction to the Devout Life by Francis de Sales
      • Millions of cats
      • The Story About Ping
      • The Velveteen Rabbit
      • The Clue in the Diary
      • The Secret of Red Gate Farm
      • Thirty Seconds Over Tokyo
      • Guadalcanal Diary
      Good Quotes:
      • First Line: My father was a millionaire in Shanghai in the 1930's.
      • Last Line: And I am ready.
      Table of Contents:


      References:

      Wednesday, January 21, 2015

      The Traveller's Pocket Bible

      Book: The Traveller's Pocket Bible
      Author:Paul Jenner and Christine Smith
      Edition:eBook on Overdrive from Fresno Public Library
      Read:January 21, 2015
      268 pages
      Rated:unrated

      Synopsis:
      Talks about foreign travel and things you should consider-if you are British. Actually, it is pretty comprehensive and there are are a lot of good things to take note of as generalities. But it really is aimed at the English.


      Evaluation:
      I am not going to rate this book for the most basic of reasons-it was not written for me. I am an American. This book was written for the British. In most cases  it will not matter. In this case, it does as Jenner and Smith are writing about a particular concern: how can a person from Great Britain travel abroad and what do they need to consider?

      Having said that, they do have a lot of good general advice which anybody can take advantage of.  Such as the chapter on security gives some good tips: Try not to look like a tourist; try not to look lost; ... But then they do go on to talk about places which the British government thinks are unsafe to travel to-they also do reference the USA State Departments travel advisories.

      The other thing, the version I read was published in 2008. So the particulars may be dated. My advice: not a bad book to skim through, but try to find something specific to your situation.


      Good Quotes:
      • First Line: Will you be able to plug in your mobile phone charger in Barcelona?
      • Last Line: So please check us out and let us know if you have any comments, questions or suggestions.
      Table of Contents:
      Introduction
      1 Accommodation
      2 Communications
      3 Conversions
      4 Electricity
      5 Emergencies
      6 Health
      7 Insurance
      8 Language problems
      9 Minimising your environmental impact
      10 Money
      11 Motoring
      12 Package holidays
      13 Pets
      14 Researching and exploring
      15 Security
      16 Shopping
      17 Times zones
      18 Transport
      19 Weather
      Glossary of travel industry terms
      Index

      References:

      Sunday, January 4, 2015

      Night

      Book: Night
      Author: Elie Wiesel
      Edition: eBook read on Overdrive from Fresno County Library
      Read: January 4, 2015
      184 pages
      Rated: 4 1/2 out of 5

      Synopsis:
      Wiesel tells of his home town and the assumption that all will be the same as the war starts to surround Hungry. But gently the noose slips over the Jews head until the Nazi's take control over Hungry. Then all the Jews are shipped off to Germany and their concentration camps. From there, Wiesel tells of his experiences in the camps. He sees what the Germans did and what the Jews did-in other words, he sees the worst which humans inflict on each other and how humans react. We as a species do not shine in either light.



      The last section of the book is Wiesel's Nobel Peace Prize speech.

      Thoughts:
      Wiesel thinks his survival was not the result of his strength, nor divine intervention, but only because of chance. What results, what thoughts progress from each attribution of his survival? It seems like it makes both him and his story rather mundane rather than special. Mundane because his story is no more than a result of a roll of the dice. How Wiesel tells the story, there is so much death that one sees how everything looks like chance. But really, is it?


      It also seems like a sense of outrage would be dampened. Why get concerned because what happened is no more a thrown of the dice? We're the Nazi's anymore culpable because whey did was by chance? If by chance, where is the moral basis which we are to feel against this kind of barbarity?

      This book is written with an eye towards history. He wants to be one of the voices which describe the pain of the Holocaust. He does say he thinks the word Holocaust is not the right word for the experience. He wants to make sure that the world does not forget what happened. This is with good reason. Today, we have people who say this never happened, even to the point these deniers try to rid voices which speak with authenticity, such as Wiesel. Wiesel himself was the subject of an assassination attempt.

      But even more so, I think he not only writes for us, but for himself. He searches not so much for meaning in the depravity he faced, but for description. Not only this is what happened, but a way to make his hurt real and known. He wants a way to express his hurt, to be able to vocalize it. I think so he does not forget. The tools he has is flat, tone less compared to the emotions he has. This cooresponds the need to conserve energy while in the concentration camp. Hate and you will die; dance and you will die; run and you will die.

      Some critics say that Night is not a form of art. I do not know, but Wiesel's words caused me to think, to feel, and to try to sort out what happened. Through his writing, I understand I cannot comprehend how a Holocaust survivor must feel-there is no connection possible. That is something to establish there is distance between me and him.

      He wonders, will we understand? I am not sure we can. He expresses his same thought that only those who have gone through the horrors of Auschwitz will understand. But at least as a reader, I can try to get a hint of what Wiesel talks about.

      He had mastered the art of rendering himself insignificant, invisible (27)   This was talked about a Jew who was a poor Jew. He was accepted because he did not make trouble or draw attention to himself. Once Wiesel started talking to him, he realized there was spiritual depth to him. He was also one of the first Jews taken. Wiesel met him after this Jew escaped. This man had lost his faith. Why? Because of what he saw. This man was a metaphor for this distance Wiesel wants us to know. As the Jews of Hungry could not relate to what Moishe the Beadle was trying to say, neither could we comprehend the Holocaust.

      The ghetto was ruled by neither German or Jew; it was ruled by delusion. (39) This delusion was that the Nazi's were not as bad as they were made out to be. While they were inconvenienced, this was as bad as it was going to get. It was to be worse, much worse. This is a warning to us that things are neither at a permanent equilibrium. Events will tip one way or another. All it needs is time to set things in motion. I like inertia. Do not change. But everything changes around us.

      It is ironic that on their last night with some from freedom, Wiesel's family decided to stay together through this all. They were offered the chance to escape and hide. But it might mean separation. When they were trained to the concentration camp, they were separated anyway-male and female.

      On the train to Auschwitz, a women starts screaming about a fire she was seeing. There was none in sight, so the other 79 passengers bound and gagged her. Later on Wiesel relates how babies were burnt; thrown in the fire en mass. Was the women being prophetic? Or as Wiesel suggests, was she possessed? This is the way we deal with people who make us uncomfortable. Of course, how do we evaluate when a person is mad, possessed, or prophetic?

      How does a religious person respond to someplace like Auschwitz? How does a person keep their faith when in that place? Does one have to be blind? Does one question the kind of God which would let something like that happen? Some Christian answers seems trite when approaching the question of where is God in Auschwitz? The typical answer is that God is nailed on the tree there. But does that seem like an answer which gives comfort? It sounds more like a God which is weak and not able to stand up to the forces of the evil of the Nazi's.  Before an answer can be given, the answerer needs to have enough depth to understand the sufferings of the Jews.

      In another place, Wiesel talks about Rosh Hashanah, the celebration of the last day of the year. How do you celebrate the cursed year, the year which they all have survived horror, but expecting to face more horror? How do you intone how great God is without looking around you and wondering how come God allowed this to happen? Why is God troubling His people? Troubling is too weak of a word-more like slaughtering His own people. These are Wiesel's questions. his answer is to forsake the God of his youth. To view God as being one who is aloof, removed, and is not their for his people.Like Job, Wiesel is the accuser; God the accused.

      A situation can reduce a person. Wiesel tells of a time when a foreman attacked his father for no reason. Rather defending his father or at least feeling angry against his father's tormentor, Wiesel was upset at his father for being in the way. The forces at work turns us from our natural inclinations of love and protection to survival.

      The concentration camp is a place where survival is the only thing which matters. Promises you made are not kept, life-long rituals are forgotten. The goal of the camp is to reduce the person to being a non-human. Towards the end of Night, the Nazi's succeeded. His father's cell mates would beat the father because he was not strong enough to go outside. They would take his food because he was too weak to defend himself. The philosophy of the camp was explained by a block captain: In this place, it is every man for himself and you cannot think of others. In this place, there is no such thing as father, brother, friend. Each of us lives and dies alone.

      A fellow prisoner said to Wiesel, I have more faith in Hitler than in anyone else. He alone had kept his promises, all his promises, to the Jewish people.(127) Faithfulness is not enough, faithfullness to that which is true is the determining factor.

      He tells a story about when they were traveling in an open cattle car, 100 people per car. Some Germans would throw scraps of bread into the car, starting a food frenzy among the starving men. During this food frenzy a son kills his father to get at the bread the father found for his son. He says that later on a woman would throw coins at poverty stricken children evoking the same response. Why? Because she likes giving to charity. Even if the women and Germans were trying to do good, which from Wiesel's description, that is questionable, their good was turned to evil by the suffering it incited.

      A few days before liberation, his father dies. A theme throughout the book is this sense of both closeness and abandonment. The closeness is so many times Wiesel and his father would cling together only to be separated. There was times when Wiesel was just trying to survive did he think of abandoning his father, but never did. He felt guilty about those thoughts, guilty that he felt like his father was taking away his own strength. During one harsh march a rabbi came by looking for his son. After the rabbi left, Wiesel realized the son had abandoned his father. Wiesel's prayer was that God give him strength never to do that to his father. Wiesel was true to the prayer, searching for him when lost, giving him food and drink when he could. In the end, Wiesel's father was just too weak to make it. On January 29, 1945, Wiesel felt free-his father had been taken away to the crematorium. After that, nothing mattered until April 11th, when liberation occurred.


      And all which is described in the Night section of the book happened before he reached the age of 17.

      Evaluation:
      This is the true story of Elie Wiesel's time of horror and transformation as a Jew in Germany's concentration camps during World War II. Wiesel writes of eloquence and honesty about his own experiences. There is much to consider in Night; much to reflect on-how can we humans tolerate what is being described? How can people even do these cruelties? How can God seemingly stand by and let the atrocities happen? Wiesel loses his faith over this and makes you wonder how would I have stood up? He was 16 after all. Read this book and weep.


      New Words:

      • Hasidic (27): It was founded in 18th-century Eastern Europe by Rabbi Israel Baal Shem Tov as a reaction against overly legalistic Judaism. His example began the characteristic veneration of leadership in Hasidism as embodiments and intercessors of Divinity for the followers.
      • Shtick (27): a person's special talent, interest, or area of activity.
      • Shekhinah (27): the English spelling of a grammatically feminine Hebrew language word that means the dwelling or settling, and is used to denote the dwelling or settling presence of God
      • Kabbalah (27): literally "receiving/tradition" (also transliterated Cabala, Qabbālâ etc.; different transliterations now tend to denote alternative traditions)) is an esoteric method, discipline, and school of thought that originated in Judaism.
      • Zohar (30):  lit. "Splendor" or "Radiance") is the foundational work in the literature of Jewish mystical thought known as Kabbalah
      • Kaddish (111): a hymn of praises to God found in the Jewish prayer service. The central theme of the Kaddish is the magnification and sanctification of God's name.
      Table of Contents:
      • Preface
      • Forward
      • Night
      • The Nobel Peace Prize Acceptance Speech

      Good Quotes:

      • First Line: They called him Moishe the Beadle, as if his entire life he had never had a surname.
      • Last Line: The look in his eyes as he gazed at me has never left me.
      •  Books no longer have the power they once did. (14)
      • Those who kept silent yesterday, will remain silent tomorrow. (14)
      • I feel that books, just like people, have a destiny. Some invite sorrow, others joy, some both. (16)
      • Every question possessed a power that was lost in an answer. (29)
      • As for me, I had ceased to pray. I concurred with Job! I was not denying His existence, but I doubted His absolute justice. (83)
      • As soon as he felt the first chinks in his faith, he lost all incentive to fight and opened the door to death. (123)


      References:

          Friday, January 2, 2015

          In A Sunburned Country

          Book: In A Sunburned Country
          Author: Bill Byrson
          Edition: eBook read on Overdrive from Fresno County Library
          Read: January 2, 2015
          561 pages
          Rated: 3  out of 5

          Synopsis:
          Bill Bryson visits each of the parts and major cities of Australia and gives an idea of what each is like.



          Evaluation:
          The last couple of sentences pretty much sum up the book: Australia is an interesting place... And that really is all I'm saying. This is a well-written, entertaining, even humorous, book about Bill Bryson's travels through Australia. I got a good flavor of the country, its culture, peoples, and history. You can sum up his observations that Australia is:

          • Really big
          • There is a lot of remote and desolate areas
          • He really enjoys Australia
          • It is a dangerous place
          • Outsiders do not hear too much about it.
          • It is an interesting place
          My rating of three does not indicate a lack of enjoyment-I did enjoy reading it. But it is also a book which I would be just as well off not reading it, sort of like a P.G.Wodehouse book-don't look for something to stir you to action, except for wanting to make a trip to Australia.


          New Words:

          • Vivacity (Chp 10) the quality of being attractively lively and animated.
          • Odium (Chp 10) general or widespread hatred or disgust directed toward someone as a result of their actions.
          • Insalubrious ( Chp 15) Not promoting health; unwholesome
          • Fecund (Chp 18) producing or capable of producing an abundance of offspring or new growth; fertile
          Book References:
          • Bryson has a well documented bibliography at the end of his book, containing65 books. He references most of these throughout the book.

          Good Quotes:

          • First Line: Flying into Australia, I realized with a sigh that I had forgotten again who their prime minister is.
          • Last Line: An that really is all I'm saying.


          References: